Press Release
From:
Samara Harand/Beth Silverman
The Silverman Group, Inc.
312-932-9950
For Immediate Release:
The Joffrey Ballet Showcases Four Works By Founder And Artistic Director Gerald Arpino In Accent Arpino at The Auditorium Theatre of Roosevelt University, April 27 – May 8, 2005
March 24, 2005 — The Joffrey Ballet will conclude its
2004-2005 Season with Accent Arpino, showcasing four
signature works of The Joffrey Ballet choreographed by the
company’s Founder and Artistic Director, Gerald Arpino:
Viva Vivaldi (1965); Round of Angels (1983); Confetti
(1970); and The Clowns (1968). Accent Arpino will be
performed April 27 – May 8, 2005 at the Auditorium Theatre
of Roosevelt University, 50 E. Congress Parkway. Live
orchestral accompaniment will be provided by the Chicago
Sinfonietta (the official orchestra of The Joffrey Ballet),
under the baton of The Joffrey’s Music Director and
Principal Conductor, Leslie B. Dunner.
“As we approach the 50th Anniversary of The Joffrey
Ballet, I have chosen to present four works of mine that
accent the versatility of our dancers and highlight the
unique range of The Joffrey,” said Gerald Arpino. “From
bravura technique to drama, from lyricism to social
commentary, our artists can do it all.”
Gerald Arpino was born in Staten Island, New York, and
received early dance training in Seattle by Mary Ann Wells.
He co-founded The Joffrey Ballet with Robert Joffrey in 1956
and served as Associate Director for many years. Upon
Joffrey’s death in 1988, Arpino succeeded him as Artistic
Director. In 1995, he moved The Joffrey Ballet to Chicago.
A leading dancer with the company in its early years,
Gerald Arpino choreographed his first work for The Joffrey
Ballet, Ropes, in 1961. Shortly thereafter, he became The
Joffrey Ballet’s resident choreographer and, to date, has
created more than one-third of the company’s repertoire.
His amazingly diverse work ranges from social commentary to
pure dance gems. His ballets are in the repertoires of
companies around the world.
Viva Vivaldi premiered in 1965 and was the signature
Joffrey Ballet work that opened and closed every season
until 1970. Gerald Arpino choreographed the ballet to
Antonio Vivaldi’s Concerto in D-Major for Violin, Strings
and Cembalo, Pincherle 151 and later re-orchestrated the
piece to feature a solo violinist and guitarist with a
Spanish accent. Containing lyric romanticism, great wit and
technical bravura, Viva Vivaldi has become a staple piece in
The Joffrey Ballet repertoire.
Round of Angels was inspired in part by an etching
entitled, “Ronde d’Anges,” by Cavaliere d’Arpino and is a
soaring dance elegy set to the haunting Adagietto from
Mahler’s Fifth Symphony for strings. The emotional ballet
set against a starry sky, features a couple, destined to
part, surrounded by five male angels. Round of Angels
premiered in 1983 and is dedicated to the memory of James R.
Howell, a member of The Joffrey Ballet, life-long friend and
an artistic associate.
Confetti takes its inspiration from the buoyant and
exuberant music of Gioacchino Rossini’s “Semiramide”
Overture. Gerald Arpino created a classical pas de six that
is at the same time a frolicsome, frothy romp in the spirit
of the tarantella, including ribboned tambourines. The six
dancers are presented with a dazzling challenge of
displaying both technical virtuosity and speed.
When Gerald Arpino’s The Clowns premiered in 1968, it was
hailed as a groundbreaking masterpiece – a contemporary
parable of human survival in the face of nuclear holocaust.
The ballet explores the comedies and tragedies of human
existence and the ever-recurring cycles of destruction and
rebirth. Technology is introduced in the form of plastic
sculptures and balloons. Plastic society is epitomized and
the theme of man against his environment is sounded. The
theme of technology gone awry is also prevalent in Hershey
Kay’s musical score, which uses the 12–tone, serial form,
combining orchestral music with electronic sound
effects.
The performance schedule for The Joffrey Ballet
presentation of Accent Arpino, April 27 – May 8, 2005, is as
follows: Wednesday, April 27, at 7:30 p.m.; Friday, April
29, at 7:30 p.m.; Saturday, April 30, at 2 and 7:30 p.m.;
Sunday, May 1, at 2 p.m.; Friday, May 6, at 7:30 p.m.;
Saturday, May 7, at 2 and 7:30 p.m.; and Sunday, May 8, at 2
p.m.
Tickets, priced from $15 to $100, are now on sale at the
Auditorium Theatre of Roosevelt University box office, all
Ticketmaster Ticket Centers, by telephone at 312-902-1500,
or online at www.ticketmaster.com. Groups of 10 or more
should call 312-386-8899. There will be special $15
college and graduate student “rush” tickets available an
hour before curtain for any remaining tickets. Students
will need to show a current ID.
The Joffrey Ballet extends special thanks to its
2004-2005 Season Sponsor, the Abbott Laboratories Fund and
the Production Sponsor for Round of Angels, the NIB
Foundation. Live music for the 2004-2005 Season is
underwritten in part by The Joyce Foundation, the Julius
Frankel Foundation, the Searle Funds at the Chicago
Community Trust, the Elizabeth F. Cheney Foundation and the
Daniel F. and Ada L. Rice Foundation. The 2004-2005 Season
is also supported by grants from the National Endowment for
the Arts, Illinois Arts Council and the CityArts Program of
the Chicago Department of Cultural Affairs. Special thanks
to LaSalle Bank, Saturday Family Matinee Sponsor, and
American Airlines, the Official Airline Sponsor of The
Joffrey Ballet.
For more information on the 2005-2006 Joffrey Ballet Season, or to
inquire about senior and children’s tickets, please call 312-739-0120 or
visit www.joffrey.com.