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The positions of the feet

The positions of the body

Directions & Numbers

The positions of the body

Les positions du corps [lay paw-zee-SYAWN doo core]

This is French for “the positions of the body.” The

following are the eight positions from the Cechetti School.

Their descriptions are based on positioning the dancer

within an imaginary box envisioned on the floor around

him/her where facing side 1 corresponds to standing en face

(see diagram). All positions are based on starting from

fifth position using the right leg to initiate the

movement.

  • croisé devant [krwah-ZAY duh-VAHN] – This is

    French for “crossed in front.” In croisé devant, the

    dancer’s hips and shoulders face corner 8 with the right

    foot extended to corner 8.

  • à la quatrième devant [ah lah ka-tree-EM duh-VAHN] –

    This is French for “to the fourth in front,” referring

    to the fourth position where the dancer’s hips and

    shoulders face side 1, and the right foot is extended to

    side 1.

  • Écarté [ay-kar-TAY] – This is French for

    “thrown apart,” referring to the openness of the

    position. In this position, the dancer stands with hips

    and shoulders facing to corner 8, with the front foot

    extended in to corner 2, or vice versa.

  • Éffacé [eh-fah-SAY] – This is French for

    “shaded,” referring to the way in which part of the

    dancer’s body is hidden from the audience in this

    position. The dancer stands with hips and shoulders

    facing corner 2 with the right foot extended to corner

    2.

  • Á la seconde [ah lah suh-GAWND] – This

    is French for “to second,” where the dancer stands with

    hips and shoulders facing side 1, with the right leg

    extended to side 3.

  • Épaulé

    [ay-pohl-AY] – This is French for “shouldered,”

    referring to the presentation of the shoulder to the

    audience. In this position, the dancer stands with hips

    and shoulders facing corner 8 with the right leg

    extended to corner 4. The shoulders are twisted to

    reveal the dancer’s back to the audience.

  • Á la quatrième derrière [ah lah

    ka-tree-EM deh-RYEHR] – This is French for “to the

    fourth behind,” and describes a position in which the

    dancer stands with hips and shoulders facing side 1,

    with the working leg extended to side 5.

  • Croisé derrière [krwah-ZAY deh-RYEHR] –

    This is French for “crossed behind,” where the dancer

    stands with hips and shoulders facing corner 2 and the

    right leg is extended to the back towards corner 6.