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Joffrey Ballet – Alice’s Adventures in Wonderland

Joffrey Ballet – Alice’s Adventures in Wonderland

Performance Details

The Joffrey Ballet is set to enchant audiences with its rendition of Alice’s Adventures in Wonderland, a ballet that masterfully intertwines classical dance with contemporary storytelling. This production marks the Chicago premiere, making the Joffrey the first American ballet company to bring Christopher Wheeldon’s Wonderland to life.

Overview of the Production

Originally choreographed by Christopher Wheeldon in 2011, Alice’s Adventures in Wonderland has been celebrated for its innovative approach to ballet. The narrative follows Alice on her whimsical journey through Wonderland, encountering a series of eccentric characters and surreal scenarios. Wheeldon’s choreography captures the essence of Lewis Carroll’s classic tale, blending traditional ballet techniques with modern theatrical flair.

Visual Effects, Set Design, and Costumes

The visual spectacle of the production is a testament to the collaborative genius of the creative team. Tony Award-winning designer Bob Crowley brings Wonderland to life with vibrant and imaginative stagecraft, including inventive puppetry and dazzling costumes. The set design is a kaleidoscope of colors and shapes, creating an immersive experience that transports the audience into Alice’s fantastical world.

A Blend of Classical Ballet and Contemporary Elements

This production seamlessly fuses classical ballet with contemporary elements, offering a fresh perspective on a timeless story. Wheeldon’s choreography incorporates traditional ballet movements while infusing them with modern dynamics and theatricality. The result is a performance that is both technically impressive and emotionally resonant, appealing to both ballet aficionados and newcomers alike.

Schedule and Tickets

The Joffrey Ballet’s Alice’s Adventures in Wonderland is scheduled to run from June 5 to June 22, 2025, at the Lyric Opera House in Chicago.

Dates and Venues of Performances

Date Time Tickets
Thursday, June 05 7:30 pm Buy Tickets
Friday, June 06 7:30 pm Buy Tickets
Saturday, June 07 2:00 pm Buy Tickets
Saturday, June 07 7:30 pm Buy Tickets
Sunday, June 08 2:00 pm Buy Tickets
Thursday, June 12 7:30 pm Buy Tickets
Friday, June 13 7:30 pm Buy Tickets
Saturday, June 14 2:00 pm Buy Tickets
Saturday, June 14 7:30 pm Buy Tickets
Sunday, June 15 2:00 pm Buy Tickets
Friday, June 20 7:30 pm Buy Tickets
Saturday, June 21 2:00 pm Buy Tickets
Saturday, June 21 7:30 pm Buy Tickets
Sunday, June 22 2:00 pm Buy Tickets

All performances will take place at the Lyric Opera House, located at 20 North Wacker Drive, Chicago, IL 60606.

How to Purchase Tickets

Tickets can be purchased through several platforms:

  • Joffrey Ballet Official Website: Visit the Joffrey Ballet’s official website to purchase tickets directly.
  • By reviewing the table above and following the relevant links.

Ticket Pricing and Discounts

Ticket prices vary depending on the date, time, and seating selection. For example:

  • Thursday, June 5, 2025 – 7:30 PM: Prices from $125
  • Friday, June 6, 2025 – 7:30 PM: Prices from $110
  • Saturday, June 7, 2025 – 2:00 PM: Prices from $150
  • Saturday, June 7, 2025 – 7:30 PM: Prices from $125
  • Sunday, June 8, 2025 – 2:00 PM: Prices from $160

For a comprehensive list of dates and pricing, please refer to the ticketing calendar.

Discounts may be available for groups, students, and seniors. It’s advisable to check the official Joffrey Ballet website or contact their patron services for detailed information on available discounts.

Tips for Selecting the Best Seats

To enhance your viewing experience, consider the following tips when selecting seats:

  • Orchestra Level: Offers a close-up view of the performers and is ideal for those who prefer an immersive experience.
  • Mezzanine and Balcony Levels: Provide a broader perspective of the stage, allowing viewers to appreciate the choreography and formations.
  • Center Seats: Ensure a symmetrical view of the performance, capturing the full depth of the stage.
  • Aisle Seats: Offer additional legroom and easier access, beneficial for longer performances.

Lyric Opera House

Meet the Characters: Alice’s Adventures in Wonderland

Each character in Alice’s Adventures in Wonderland brings a unique flavor to the story, making the production a captivating experience for all audiences. Let’s take a closer look at the main characters Alice encounters on her journey through Wonderland.

Alice – A Journey Through a Magical World

Alice, the protagonist of the story, embarks on a whimsical adventure that leads her through the strange and fantastical world of Wonderland. She is portrayed as curious, adventurous, and brave, embodying the spirit of discovery that the ballet captures so beautifully. Her journey challenges her perception of reality and brings her face to face with extraordinary characters that question the norms of her world. Alice’s character represents the joy and confusion of navigating a fantastical realm where anything is possible.

The Mad Hatter – A Mysterious Character with an Unusual Tea Party

The Mad Hatter is one of the most eccentric characters in Wonderland, known for his strange tea party and unpredictable behavior. Portrayed with whimsy and humor, the Mad Hatter’s choreography reflects his chaotic nature. He represents the absurdity of Wonderland, where logic and reason no longer apply. The Mad Hatter’s role is not only a comic relief but also serves as a guide to Alice, showing her that sometimes, letting go of structure is the only way to truly experience wonder.

Mad Hatter

The Cheshire Cat – The Master of Disappearing Acts

The Cheshire Cat is another enigmatic character who appears and disappears at will. His mysterious grin and cryptic riddles leave Alice and the audience questioning reality. The choreography for the Cheshire Cat reflects his elusive nature, with fluid movements that seem to evaporate into thin air. As one of the most iconic characters in the story, the Cheshire Cat symbolizes the mysterious and often paradoxical aspects of Wonderland. His ability to vanish at will adds an extra layer of intrigue and fantasy to the production.

The Red Queen – The Strict Ruler of Wonderland

The Red Queen is a figure of power and authority in Wonderland, notorious for her quick temper and ruthless nature. Known for her famous declaration, “Off with their heads!” the Red Queen is a commanding presence in the ballet. Her choreography is sharp, exaggerated, and brimming with energy, reflecting her authoritarian role. Despite her harsh demeanor, the Red Queen serves as a foil to Alice’s innocence, emphasizing the absurdity of the world around them.

Red Queen

The White Rabbit – Alice’s Guide into the Fantastical Realm

The White Rabbit is the catalyst for Alice’s journey, leading her down the rabbit hole into Wonderland. His fast-paced, hurried nature sets the tone for the entire adventure. Portrayed as a nervous and anxious character, the White Rabbit often finds himself caught up in situations he cannot control. His choreography is frantic and energetic, mirroring his constant need to stay ahead of the chaos around him. As Alice’s guide, the White Rabbit helps her navigate Wonderland’s unpredictable landscape, though often with his own sense of urgency.

White Rabbit

Choreographer and Composer

The success of Alice’s Adventures in Wonderland owes much to its talented choreographer and composer. Christopher Wheeldon’s innovative choreography and Joby Talbot’s evocative score combine to create a production that has garnered worldwide acclaim.

Christopher Wheeldon OBE | Choreographer

Christopher Wheeldon is one of the leading choreographers in the world today. Born in England, Wheeldon trained at the Royal Ballet School and went on to become a principal dancer with the Royal Ballet. His choreographic career began in the late 1990s, and since then, he has worked with many prestigious ballet companies around the world. He is known for his versatility and ability to blend classical ballet with contemporary dance, creating works that are both visually stunning and emotionally profound.

Wheeldon’s choreography for *Alice’s Adventures in Wonderland* is particularly notable for its whimsical yet sophisticated qualities. Drawing inspiration from both the fantastical narrative of Lewis Carroll’s original story and the world of contemporary dance, Wheeldon crafted a piece that is both inventive and technical. He brings Alice’s adventures to life through sweeping, expressive movements that perfectly mirror the shifting realities of Wonderland. His ability to fuse classical technique with imaginative storytelling has made him a favorite among audiences and critics alike.

Joby Talbot | Composer

Joby Talbot is an award-winning British composer known for his work in both classical and popular music. For *Alice’s Adventures in Wonderland*, Talbot crafted an atmospheric and highly evocative score that perfectly complements the ballet’s fantastical narrative. His music spans a wide range of moods, from the playful and whimsical to the dramatic and intense, reflecting the emotional journey of Alice as she navigates Wonderland.

Talbot’s score is one of the defining elements of the production, adding depth and emotional resonance to the performance. The music interacts seamlessly with the choreography, guiding the audience through Alice’s surreal journey. With influences ranging from classical to modernist, Talbot’s composition creates a rich, textured soundscape that enhances the magical qualities of the ballet.

Why See Joffrey Ballet – Alice’s Adventures in Wonderland?

There are many reasons why Alice’s Adventures in Wonderland is a must-see performance. From its stunning visuals to its innovative choreography and captivating music, this production offers something for everyone. Here are just a few reasons why you should attend this extraordinary ballet:

What Makes This Ballet Unique?

Unlike traditional ballets that rely heavily on classical storytelling, *Alice’s Adventures in Wonderland* blends modern elements of dance and narrative with timeless ballet techniques. This makes it a perfect entry point for those new to ballet while still offering plenty for seasoned ballet enthusiasts to appreciate. The creative direction, coupled with the whimsical nature of Wonderland, creates a performance that is visually and emotionally engaging from start to finish.

Audience and Critic Reviews

Critics have consistently praised Alice’s Adventures in Wonderland for its breathtaking choreography, imaginative set design, and engaging performances. Audiences have described it as a visual and emotional feast, with many highlighting the seamless integration of dance, music, and storytelling. The production has received glowing reviews for its ability to captivate both children and adults, making it an excellent family outing.

A Perfect Choice for a Family-Friendly Experience

With its vibrant colors, fantastical characters, and captivating story, Alice’s Adventures in Wonderland is a perfect choice for families. Children will be mesmerized by the playful antics of the characters, while adults will appreciate the intricate choreography and the depth of the narrative. The ballet offers an unforgettable experience that can be enjoyed by all ages.

A Magical Fusion of Dance, Music, and Stunning Visuals

Ultimately, *Alice’s Adventures in Wonderland* is a celebration of the magical possibilities that arise when dance, music, and visual art come together. This production is not only a feast for the eyes but also an emotional journey that stays with you long after the curtain falls. With its imaginative choreography, enchanting score, and world-class performances, it’s an experience you won’t want to miss.

How do I get to Lyric Opera House, Chicago, Illinois for the performance of Alice’s Adventures in Wonderland?

Follow the directions below to reach the Lyric Opera House for the performance of *Alice’s Adventures in Wonderland*:

Location Mode of Transport Instructions
From Chicago O’Hare International Airport (ORD) Public Transport (CTA Blue Line) Take the CTA Blue Line from O’Hare towards Forest Park. Get off at the Washington/Wells station (around 45 minutes), then walk for about 6 minutes to Lyric Opera House.
From Chicago O’Hare International Airport (ORD) Taxi/Rideshare (Uber/Lyft) Take a taxi or use a rideshare service like Uber or Lyft from O’Hare Airport directly to the Lyric Opera House (approximately 30-40 minutes depending on traffic).
From Downtown Chicago (Loop) Public Transport (CTA ‘L’ Stations) Take the Brown/Orange/Pink/Purple lines to Washington/Wells station. Walk for about 6 minutes to the Lyric Opera House.
From Downtown Chicago (Loop) Public Transport (Bus) Catch the 20, 56, or 60 bus routes to stops near Lyric Opera House (Madison & Franklin or Washington & Franklin).
From Chicago Union Station Public Transport (CTA Blue Line) Walk to the Clinton station (5-minute walk), take the CTA Blue Line towards O’Hare, and get off at the Washington station (approximately 7 minutes). Walk for another 10 minutes to reach the Lyric Opera House.
From Chicago Union Station Taxi/Rideshare (Uber/Lyft) Take a taxi or use a rideshare service from Union Station to the Lyric Opera House (approximately 5-10 minutes by car).

Address: Lyric Opera House, 20 N. Wacker Drive, Chicago, IL. The theater entrance is at the corner of Madison Street and Wacker Drive.

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Don Quixote’s Flights of Imagination

October 12, 2011
auditoriumtheatre.blogspot.com
Lucia Mauro

 
Content


Despite Don Quixote’s infectiously lighthearted tone, expect to ponder a substantial helping of source material. The Joffrey Ballet’s new production, reimagined by former Bolshoi Ballet principal dancer Yuri Possokhov, runs Oct. 12-23 at the Auditorium Theatre. It references the original Miguel de Cervantes two-volume novel; a series of impressionable etchings; and cinematic technique – not to mention one of the more popular versions of the ballet by Marius Petipa for the Bolshoi in 1869. This year, two drastically different versions of Don Quixote figuratively gallop (one already galloped) across the Auditorium stage. In the spring, Boris Eifman’s radically psychological interpretation, subtitled Fantasies of a Mad Man, placed the titular knight-errant in a psychiatric ward where his ability to dream was clearly stifled.

We’ll discuss both the Joffrey Ballet and Eifman Ballet of St. Petersburg. But, first, a little history.

Even before virtuoso choreographer Petipa set a story from Cervantes’ 1615 Book Two to dance, earlier ballet masters – from Franz Hilverding to John Georges Noverre — found Don Quixote an inherently balletic subject. Yet, throughout the full-length narrative ballet’s evolution, the Don himself has served as a rather bumbling framing device for the more elaborate plot of the beautiful Kitri’s love affair with poor barber Basilio against her father’s wishes. With the exception of George Balanchine’s Don-centric 1965 production (which paired the choreographer with his own personal Dulcinea Suzanne Farrell), the ballet has traditionally reveled in the perils and joys of thwarted Spanish lovers awash in a pseudo-Iberian pastiche of swirling matador capes and fluttering fans – all set to the buoyant Ludwig Minkus score.

 In Eifman’s staging, Don Quixote escapes his emotional torment by pretending to live among the villagers celebrating the wedding of Kitri and Basilio. His aesthetic fuses extreme ballet with avant-garde ideas. And when viewing Eifman’s often interior, non-literal work, it’s important to keep in mind that he frequently zeroes in on themes of artistic freedom that reference his own struggles as a ballet iconoclast during the Soviet era. Eifman’s Act One dancing mental patients could have crossed into the realm of parody or, worse, mockery. But, instead, they were sympathetic and believable. Act Two, nevertheless, appeared disconnected in the sense that it mainly recreated, with a few twists and turns, the last act of the familiar ballet.

The Joffrey’s pared-down, two-act production aims to stay true to the characters and structure of the Petipa blueprint; only the emphasis has shifted back to the Don. Here he is a stronger through-line, together with sidekick Sancho Panza and the protagonist’s scrawny horse Rocinante, an endearing life-size puppet created by Cynthia Von Orthal. The only vague similarity to Eifman is the desire to get inside Don Quixote’s head. In the novel, he is inspired to embark on a string of misadventures after consuming hefty servings of chivalric romances. The windmill-tilting knight places himself in the service of his imagined unattainable lady, the Dulcinea.

Ashley Wheater, the Joffrey’s artistic director, cites French artist Gustave Doré as a key inspiration. Doré, known for his wood- and steel-engraving, most famously illustrated Cervantes’ novel in the 1860s. These witty and fastidiously detailed black-and-white etchings have served as the visual soul of Don Quixote. One in particular portrays the Don as an older gentleman reading while being engulfed by clusters of fantastical literary characters. That singular image best sums up the Joffrey’s presentation, especially in terms of Wendell Harrington’s filmic-illusionistic projections that blur the line between fantasy and reality. Is this Don Quixote the Doré drawings come to life, or are we witnessing the fertile mental wanderings of Cervantes’ idealistic man from La Mancha? Most likely, we’re experiencing something more potent: the enduring power of the imagination.

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The Joffrey Ballet of Chicago – Our Dancers . . .

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ALL ABOUT
THE JOFFREY BALLET

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Current and Seasonal Dancers of The Joffrey Ballet

Michael Anderson

Steve Beirens

Deanne Brown

Cari Call

Nicole Marie Duffy

Lorena Feijoo

Sam Franke

Catalina Garza

Jodie Gates*

 

Cynthia Giannini

Jennifer Goodman

Trinity Hamilton

Julie Janus*

Terace Jones

Taryn Kaschock

Calvin Kitten

Michael Levine

Pierre Lockett

 

Suzanne Lopez

Valerie Madonia*

Tom Mossbrucker*

Leticia Oliveira

Ernesto Quenedit

Davis Robertson

Gregory Russell

Jenny Sandler

Chiharu Shibata

 

Patrick Simonello

Adam Sklute*

Todd Stickney

Guoping Wang

Maia Wilkins

Alfonso Zybin

* = seasonal dancer

 

 

Joffrey Dancers

Photo: Migdoll

Former Dancers of The Joffrey Ballet

 

 

Lawrence Adams

Kyle Ahmed

Salvatorte Aiello

Deborah Alexis

Andrew Allagree

Cynthia Anderson

Dominique Angel

Gerald Arpino

Charthel Arthur

Mark Baird

Scott Barnard

Darrell Barnett

Maniya Barredo

Beth Bartholomew

Mary Barton

Cameron Basden

Daniel Baudendistel

Frank Bays

Richard Beatty

Linda Bechtold

 

Pascal Benichou

Meridith Benson

Madelyn Berdes

Henry Berg

Rex Bickmore

Michael Bjerknes

Lawrence Blake

Robert Blankshine

Jeremy Blanton

Carolyn Borys

Lisa Bradley

Alexander Brady

Eileen Brady

Robert Brassell

Sally Brayley

Annette Bressie

Robert Brett

Patricia Brown

Todd Brown

Richard Browne

 

Dermot Burke

Ursula Burke

Wilhelm Burman

Gage Bush

Raymond Bussey

Zelma Bustillo

Dawn Caccamo

James Canfield

Adix Carman

Leslie Carothers

Kevin Carperter

Elizabeth Carroll

Diana Cartier

Alfonso Cata

Tony Catanzaro

Russell Chambers

Lynne Chervony

Gary Chryst

Ivy Clear

Lili Cockerille

 

Richard Colton

James Conlin

Dianne Consoer

Elizabeth Corbett

Patrick Corbin

Francesca Corkle

Carl Corry

Donna Cowen

Jon Cristofori

Joel Dabin

Denise Dabrowski

Starr Danias

Amy Damis

Joanne Danto

Eleanor D’Antuono

Jill Davidson

Robert Davis

Deborah Dawn

Ann Marie DeAngelo

James DeBolt

 

 

Joffrey Dancers

Photo: Migdoll

 

Kenneth Delmar

Nicole DeSantis

Helenka Devon

Edwina Dingman

Eric Dirk

Thierry Dorado

Helyn Douglas

Glen Dufford

RoAnne Duncan

James Dunne

Mary Linn Durbin

DeAnn Duteil

Glenn Edgerton

Donn Edwards

Terry Emanuel

Nora Esteves

Nancy Esteves

Robert Estner

Nancy Fenster

Judy Fielman

Tom Fowler

 

Ingrid Fraley

Susan Frazer

Christopher Freeman

Luis Fuente

Richard Galn

Rachel Ganteaume

Diana Garcia-Daganzo

Philip Gardner

Jodie Gates

Charlene Gehm

Richard Gibson

Kathryn Ginden

Lynn Glauber

Mark Goldweber

Erika Goodman

Randall Graham

Maria Grandy

Jacquelyn Gregory

Larry Grenier

John Grensback

Meg Gurin

 

Jennifer Habig

Kirby Hade

Suzanne Hammons

Jan Hanniford

Glen Harris

Randal Harris

Alaine Haubert

Lisa Headley

Christine Hennessy

Sharon Herr

Jerel Hilding

Phillip Hoffman

Robin Hoffman

Christian Holder

Ian Hovath

James Howell

Gregory Huffman

Jeffery Hughes

Nancy Ichino

Lone Isakssen

Takako Iyoku

 

Celeste Jabczenski

Adriana Jacinto

Denise Jackson

Mary Ellen Jackson

Laura Jarrell

Chris Jensen

Philip Jerry

Finis Jhung

Pamela Johnson

Jay Jolley

John Jones

Nels Jorgensen

Scott Jovovich

Krystyna Jurkowski

Miyoko Kato

Janey Kawaguchi

Harald Uwe Kern

David Paul Kierce

Gregory King

Jerome David Kipper

Jerry Kokich

 

 

Joffrey Dancers

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Alessandra Lange

Tina LeBlanc

Stephanie Lee

Sara Leland

Andrew Levinson

Guillermo Leyva

Anna Marie Longtin

Sue Loyd

Natasha MacAller

Cheryl Madeux

Susan Magno

Francoise Martinet

Rita Martinez

Bill Martin-Viscount

Douglas Martin

Noel Mason

Parrish Maynard

Jean McCabe

Yvonne McDonald

Kevin McKenzie

 

Christopher McMillen

Roberto Medina

Margaret Mercier

Carol Messmer

Mike Michaels

Fern Miller

Patricia Miller

Janet Mitchell

Elizabeth Molak

George Montalbano

Julian Montaner

Hilda Morales

Victoria More

Edward Morgan

Marjorie Mussman

Dennis Nahat

Peter Narbutas

Pamela Nearhoof

Vicente Nebreda

Joseph Nelson

 

Ted Nelson

Kevin O’Day

Diane Orio

Daniel Otevrel

Haynes Owens

Tomi Paasonen

David Palmer

Patric Parsons

Marie Paquet

Elizabeth Parkinson

Victoria Pasquale

Luis Perez

Raymond Perrin

Pamara Perry

Brent Phillips

Roger Plaut

Dennis Poole

Ali Pourfarrokli

George Ramos

Sandra Ray

 

Ron Reagan

Karina Rieger

Barbara Remington

Lawrence Rhodes

Jacob Rice

Don Richard

Marlene Rizzo

Valmai Roberts

Nancy Robinson

Wesley Robinson

Beatriz Rodriguez

Rafael Romero

Donna Ross

Lauren Rouse

Brunilda Ruiz

Katherina Rumpler

Kim Sagami

Lissette Salgado

Kevin Santee

Dana Sapiro

 

 

Joffrey Dancers

Photo: Migdoll

 

Dana Sapiro

Margo Sappington

Christine Sarry

Joseph Schnell

Ramon Segarra

Rosanna Servalli

John Sheaffer

Paul Shoemaker

Arlene Shuler

Donna Silva

Trinette Singleton

Lisa Slagle

Amanda Smith

Felix Smith

Johanna Snyder

Nicole Sowinska

Kurt Speker

William Starrett

 

Craig Sterling

Susan Stewart

Edward Stierle

Virginia Stewart

Ross Stretton

Stephen Sturmer

Russell Sultzbach

Paul Sutherland

Robert Talmage

William Tarpy

Burton Taylor

Gregory Taylor

Glen Tetley

Robert Thomas

Michael Tipton

Helgi Tomasson

Beatrice Tompkins

Mark Trares

 

Ellen Troy

Christine Uchida

Michael Uthoff

Carole Valleskey

Tom Van Cauwenbergh

Martine Van Hamel

Edward Verso

Robert Vickrey

Richard Wagner

Gay Wallstrom

Tyler Walters

Jonathan Watts

Dennis Wayne

Berissa Welles

Ashley Wheater

Glen White

William Whitener

Anthony Williams

 

Craig Williams

Karen Williamson

John Wilson

June Wilson

Jodi Wintz

Rebecca Wright

Mark Wuest

Bonnie Wyckoff

Ryuji Yamamoto

Sara Yarborough

Gayle Young

Richard Zelens

Lin Zhen

Rochelle Zide

Maximiliano Zomosa

 

 

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The Joffrey Ballet of Chicago


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Le Sacre du Printemps | Joffrey Ballet

Overview

Le Sacre du Printemps Le Sacre du Printemps Le Sacre du Printemps Le Sacre du Printemps Le Sacre du Printemps Le Sacre du Printemps Le Sacre du Printemps Le Sacre du Printemps Le Sacre du Printemps Le Sacre du Printemps Le Sacre du Printemps

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America’s #1 Nutcracker | Joffrey Ballet

Overview

Robert Joffrey created this Nutcracker, turning a decidedly European ballet into a uniquely American experience. The holidays are captured In 120 minutes as the entire Joffrey company takes the stage, creating the magic of the season. The Joffrey’s Nutcracker maintains the spirit of the original 1987 performance, while sparkling with contemporary choreography, dazzling costumes, Tchaikovsky’s thrilling score, inventive lighting and extravagant set design. The Joffrey Nutcracker is the star atop Chicago’s Holiday tree. It ignites the imagination of children of every generation. Join us to share in the magic!

All performances take place at The Auditorium Theatre.

Performances will feature live orchestral accompaniment performed by the Chicago Sinfonietta.

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Nutcracker Video

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Othello | Joffrey Ballet

Overview

Choreography: Lar Lubovitch
Music: Elliot B. Goldenthal
Live music performed by: The Chicago Philharmonic

Othello is passionate and powerful contemporary dance theatre that tells the dramatic story of the Venetian Moor, his beloved Desdemona, and the conniving Iago, who will stop at nothing to usurp Othello’s power. Witness ambition and betrayal, set to a commanding score by Academy Award® winner Elliot Goldenthal. Featuring breathtaking costumes, elaborate multi-media projections and unparalleled dancing, this will be your last chance to see the Joffrey’s riveting and critically acclaimed production of Othello.

“Electric, heartbreaking and unforgettable” –Chicago Tribune

Production Sponsor – Lorna Ferguson & Terry Clark and Nuveen Investments, Inc.

Meet the Artists will occur on:

Saturday, April 27th, 2013 at 1:00pm: Choreographer Lar Lubovitch and Artistic Director, Ashley Wheater.
Thursday, May 2nd, 2013 at 6:30pm: Dancers Christine Rocas and Matthew Adamczyk, with Ballet Master, Gerard Charles
Saturday, May 4th, 2013 at 6:30pm: Dancers Anastacia Holden and Derrick Agnoletti with Artistic Director, Ashley Wheater

All performances take place at the Auditorium Theatre, 50 E. Congress Parkway

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Lar Lubovitch’s Othello (Spring 2013)

Video by Left Brain Right Brain Productions

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Human Landscapes | Joffrey Ballet

Overview

Forgotten Land

Choreography: Jirí Kylián
Music: Benjamin Britten
Stirring and beautiful, Forgotten Land was inspired by a painting of women on a beach by the Norwegian expressionist Edvard Munch. The sea, with its giant waves, is a metaphor for constant motion; for erosion and renewal. Set to the music of Benjamin Britten, we celebrate the 100th anniversary of his birth.

“Lusciously fluid”
– Houston Chronicle

 

Pretty BALLET

Choreography: James Kudelka
Music: Bohuslav Martinu˚
With Pretty BALLET, James Kudelka “tends to the muse,” creating a wistful homage to the art of ballet: conscious of lost dreams, but compelled to carry on.

“Thrilling, ingeniously designed, devilishly rebellious and brash in its showmanship”
– Chicago Tribune

 

The Green Table

Choreography: Kurt Jooss
Music: Frederick Cohen
Created in the shell-shocked aftermath of World War I, The Green Table was a ground-breaking anti-war ballet. Today, celebrating its 80th anniversary, it stands as a vibrant masterpiece of German Expressionism, demonstrating the futility of war and the poignant price paid by its victims.

“A stunning assault of drama and unsentimental truth”
– Chicago Tribune

 

Learn more about the ballets in this program.

 

Meet the Artists will occur on:
Saturday, October 20th, 2012 at 1:00pm with dancer Dylan Gutierrez
Thursday, October 25th, 2012 at 6:30pm with dancer Fabrice Calmels
Saturday, October 27th, 2012 at 6:30pm with dancer Fabrice Calmels

 

Program length: 2hrs 5mins including two intermissions
All performances take place at the Auditorium Theatre, 50 E. Congress Parkway

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Behind the scenes with Human Landscapes

Sneak peek of Human Landscapes

 

Robert Joffrey interview with Kurt Jooss

 

Human Landscapes Opening Night Dinner

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All Stars | Joffrey Ballet

Overview

George Balanchine’s dramatic Stravinsky Violin Concerto, remembers his friend Igor with dance set to music echoing his native Tbilisi. Jerome Robbins’ The Concert (or, the Perils of Everybody) is full-on comic genius as the dancers explore an audience’s fantasies at a Chopin piano recital – and more than a little social commentary. Christopher Wheeldon’s work, After the Rain, with three duets to music by Arvo Pärt is stark, simple, spiritual and – above all – sensual. This is the program where the stars come out. 

All performances take place at The Auditorium Theatre.

Performances will feature live orchestral accompaniment performed by the Chicago Sinfonietta.

 


Stravinsky Violin Concerto

Choreography by George Balanchine

Music by Igor Stravinsky

A tribute, bursting with energy, to the composer who moved spirits and dancers. JOFFREY PREMIERE

 

After the Rain

Choreography by Christopher Wheeldon

Music by Arvo Pärt

An emotional ballet that contrasts harsh and soft movement as dancers embody relationships in three bold, sensual duets. JOFFREY PREMIERE

 

Tarantella

Choreography by George Balanchine

Music by Louis Gottschalk; Reconstructed by Hershy Kay

Set to the Grand Tarantelle for Piano and Orchestra, op. 67, an explosive pas de deux showcasing a profusion quick and complex movement.

 

The Concert (or, The Perils of Everybody)

Choreography by Jerome Robbins

Music by Frédéric Chopin

A comic masterpiece that explores an audience’s fantasies at a Chopin piano recital – and more than a little social commentary.  JOFFREY PREMIERE

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All Stars Promo

Behind the Scenes: Stravinsky Violin Concerto

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Winning Works | Joffrey Ballet

Overview

The Joffrey Academy of Dance, Official School of The Joffrey Ballet, announces a national call for ALAANA artists to submit applications for The Joffrey Academy’s Ninth Annual Winning Works Choreographic Competition. The goal of the Award is to recognize talented and emerging ALAANA choreographers whose unique perspective will ignite creativity in the form of original works of dance. The winning choreographers will be awarded a $5,000 stipend. The choreographers will set their piece on the members of the Joffrey Studio Company and the Joffrey Academy Trainees culminating in a final performance in March 2019 and have the opportunity to seek guidance from Joffrey Artistic Director Ashley Wheater and Head of Studio Company and Trainee Program, Raymond Rodriguez. The Joffrey Academy of Dance’s Winning Works program will be presented at the Museum of Contemporary Art Chicago’s Edlis Neeson Theater, 220 E. Chicago Avenue.

Applications are due by September 1, 2018. 

ELIGIBILITY: The Joffrey Ballet is looking for talented ALAANA (African, Latinox, Asian, Arab and Native American) choreographers with 2+ years of experience setting work on classically trained dancers. Applicants must be from a minority ethnic group, 21 years of age or older, must be living in the U.S. or be able to cover travel expenses to the U.S.

DETAILS: The choreographers’ finished pieces must be a minimum of 10 minutes and maximum of 12 minutes long, and include a cast of at least 10 dancers. Selected choreographers will be given a minimum of 30 rehearsal hours to set their pieces. Each winning artist will receive a $5,000 stipend. Choreographers will be provided with travel and accommodations for the duration of their residency (two weeks in December 2018/ January/February 2019; schedule TBD). The completed new work will premiere March 2019 and may be performed at various venues around Chicago through the 2018–19 Academy year and beyond.

TO SUBMIT AN APPLICATION

Online Application

As part of the online application, applicants must submit:

– 3 References

– Headshot

– Curriculm Vitae

– A letter of intent describing your interest in the competition and the kind of work you will create in 500-1,000 words

– Video clip containing 2 or more choreography excerpts, along with a brief written description. Each choreography excerpt should not exceed 5 minutes. Submitted excerpts must include a work containing at least 8 dancers in the piece. In-studio rehearsal footage is also encouraged. Excerpts may be combined into one video or submitted in separate video clips.

There is no submission fee.

Any questions may be submitted to winningworks [at] joffrey [dot] org.

 

 

Photo by Cheryl Mann

Video

Winning Works 2018 Preview Videos

Winning Works 2017 Preview Videos

Winning Works 2016 Preview Videos

Winning Works 2015 Preview Videos

Winning Works 2014 Preview Videos

 

Winning Works 2013 Preview Videos

Interview with Bennyroyce Royon, winner of the Choreographers of Color Award (February 2012)

Interview with Ray Mercer, winner of the Choreographers of Color Award (February 2012)

Interview with Francisco Avina, Winner Choreographers of Color Award (February 2011)

Choreographers of Color Award Interview with Joffrey Academy Trainees (February 2011)

Interview with Amy E. Hall, Winner of the Choreographers of Color Award (February 2011)

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